I’ve got an article (I so want to call it a paper) published by the online journal Bad Subjects – it’s called “It’s not a hobby, it’s a post-apocalyptic skill: space, feminism, queer, and sticks and string”. Obviously, it’s not about disability – it’s about knitting. This is one of my favourite bits:
“In combining 1950s ideals of femininity with the well-established DIY culture of earlier Riot Grrrl, embracing domestic crafts—such as knitting—once again became an act of empowerment; this discursive position has much in common with some of the positions of Queer Theory. Knitting could be seen as much a gender performance as choosing a dress and lipstick over jeans and boots; in separating gender into performances, traditional stereotypes of femininity are a possible and valid choice in gender performativity.
Knitting can also be queered in the how and where it is performed—and who it is performed by; masculine cis-man knitting is as transgressive as a drag king; knitting in public queers that public space by introducing a private hobby into it. Yarnbombing becomes queer in taking the domestic into the public; using a traditionally feminine craft to queer previously masculine space, and reclaim it as the space of the feminine and a space of feminine gender performance.”